137 bars at 160 BPM -- fast, and 3:26 of it without a break -- on crash, hi-hat, snare and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-20, hi-hat through bars 21-28, snare through bars 29-88, kick and crashes through bars 89-96 and snare through bars 97-120, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 5-10, 13-15 and 17-18, and 4 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 6
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-----x-|
BD |x-x-x-x---x-x-x-|--x-x-x---x-x---|7 fills to learn, played 20 times: bars 11, 12, 16, 19, 28, 44 and 14 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
137 bars, about 3:26 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
7 fills to learn, played 20 times: bars 11, 12, 16, 19, 28, 44 and 14 more.