122 bars of 4/4 at 120 BPM, about 4:02 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1 and hi-hat through bars 2-122.
The beat the song is built on is a 2-bar phrase, played through bars 19-34, 43-58 and 91-106, and 1 more place -- 45.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19 20
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----------------|---x------------|
HH |o---------------|o-----o---------|
SD |--x---x---x---x-|x--x--x---x---x-|
BD |x-xxx-xxx-xxx-xx|x-xx-xxxx-xxx-xx|
HF |----x---x---x---|--------x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
122 bars, about 4:02 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.