339 bars of 4/4 at 130 BPM, about 10:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, snare through bars 4-5, ride through bars 6-15, snare through bars 16-20, hi-hat through bars 21-30 and ride through bars 31-35, and 29 more changes after that.
The beat the song is built on is one bar, played through bars 22-25, 36-50 and 66-80, and 10 more places -- 27.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
36
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------x-------|
BD |x-----x-------x-|14 fills to learn, played 34 times: bars 53, 85, 86, 87, 97, 105 and 28 more.
It cuts the song into 81 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
339 bars, about 10:23 at the written tempo. The course breaks it into 81 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 34 times: bars 53, 85, 86, 87, 97, 105 and 28 more.