618 bars of 3/4 -- not four -- at 168 BPM, 12:12 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, toms through bars 5-44, hi-hat through bars 45-73, snare through bars 74-88, hi-hat through bars 89-153 and snare through bars 154-168, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 45-47, 49 and 51, and 73 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
45
1e+a2e+a3e+a
CC |x-----------|
HH |----o---o---|
BD |x-----x---x-|31 fills to learn, played 76 times: bars 40, 42, 44, 52, 60, 68 and 70 more.
It cuts the song into 99 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
168 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
618 bars, about 12:12 at the written tempo. The course breaks it into 99 exercises over 22 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 76 times: bars 40, 42, 44, 52, 60, 68 and 70 more.