134 bars of 4/4 at a walking 94 BPM, 5:41 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-8, snare through bars 9-15, hi-hat through bars 16-37, snare through bars 38-41 and hi-hat through bars 42-53, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 2-4, 20-24 and 27-29, and 12 more places -- 38.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-------x-------|10 fills to learn, played 19 times: bars 1, 17, 25, 26, 46, 54 and 13 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
134 bars, about 5:41 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 1, 17, 25, 26, 46, 54 and 13 more.