206 bars at 180 BPM -- fast, and 4:35 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-24, snare through bars 25-40, ride through bars 41-52, hi-hat through bars 53-64, snare through bars 65-92 and ride through bars 93-104, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 9 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------------x--------g-g|
BD |x-----x-----------x-----|13 fills to learn, played 31 times: bars 40, 43, 46, 49, 52, 55 and 25 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
206 bars, about 4:35 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 31 times: bars 40, 43, 46, 49, 52, 55 and 25 more.