132 bars of 4/4 at 148 BPM, about 3:34 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-3, hi-hat through bars 4-32, toms through bars 33-36, hi-hat through bars 37-52 and snare through bars 53-59, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 21-31, 37-51 and 77-83, and 3 more places -- 40.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
22
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x---x---x---x---|7 fills to learn, played 28 times: bars 12, 20, 32, 33, 34, 35 and 22 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
132 bars, about 3:34 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 12, 20, 32, 33, 34, 35 and 22 more.