113 bars of 4/4 at 115 BPM, about 3:56 of playing, on crash, hi-hat, snare and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-22, snare through bars 23-24, hi-hat through bars 25-46, snare through bars 47-48, hi-hat through bars 49-70 and snare through bars 71-72, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 1-20, 25-44 and 50-51, and 8 more places -- 69.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
3
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x---x-----|4 fills to learn, played 8 times: bars 84, 96, 100, 108, 110, 111 and 2 more.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
113 bars, about 3:56 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 8 times: bars 84, 96, 100, 108, 110, 111 and 2 more.