188 bars at 210 BPM -- fast, and 3:35 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-9, hi-hat through bars 10-25, snare through bars 26-41, hi-hat through bars 42-46, snare through bars 47-50 and ride through bars 51-58, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 19-25, 43-45 and 75-81, and 6 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
132
1.......2.......3.......4.......
HH |----o-------o-------o-------o---|
SD |--------x---------------x-------|
BD |x-------x-------x-------x-------|17 fills to learn, played 22 times: bars 18, 26, 34, 42, 46, 50 and 16 more.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
188 bars, about 3:35 at the written tempo. The course breaks it into 75 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 22 times: bars 18, 26, 34, 42, 46, 50 and 16 more.