129 bars of 4/4 at 144 BPM, about 3:35 of playing, on crash, hi-hat, snare and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-94, snare through bars 95-96 and hi-hat through bars 97-129.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 35 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8
1e+a2e+a3e+a4e+a
HH |x-g-x-g-x-g-x-o-|
SD |----x-------x---|
BD |x-------x-x-----|2 fills to learn, played 5 times: bars 5, 46, 95, 96 and 117.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
129 bars, about 3:35 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 5, 46, 95, 96 and 117.