80 bars of 4/4 at a walking 84 BPM, 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-19, ride through bars 20-27, hi-hat through bars 28-33, ride through bars 34-49 and hi-hat through bars 50-55, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 14-19, 28-33 and 50-55, and 1 more place -- 35.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16 17
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-o-|
SD |----x-------x---|----x-------x---|
BD |x-----x-x-------|x-----x-x-------|8 fills to learn, played 12 times: bars 27, 37, 41, 43, 44, 45 and 6 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
80 bars, about 3:47 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 27, 37, 41, 43, 44, 45 and 6 more.