174 bars at 180 BPM -- fast, and 3:52 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 3-10, snare through bars 11-18, hi-hat through bars 19-23, snare through bars 24-42, silence through bars 43-46 and snare through bars 47-62, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 3-5, 7 and 9, and 24 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x---------------|8 fills to learn, played 30 times: bars 8, 10, 11, 13, 15, 17 and 24 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
174 bars, about 3:52 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 30 times: bars 8, 10, 11, 13, 15, 17 and 24 more.