74 bars of 4/4 at a walking 104 BPM, 2:51 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
52 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
silence through bars 1-5, hi-hat through bars 6-37, silence through bars 38-41 and hi-hat through bars 42-74.
The beat the song is built on is one bar, played through bars 6-12, 14 and 16, and 9 more places -- 77.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
22
1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x-----------------x-----x-----------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 38 out of 100; the rest of the number is everything around it.
74 bars, about 2:51 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.