262 bars of 4/4 at 150 BPM, about 6:59 of playing, on crash, hi-hat, snare and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, kick and crashes through bars 5-19, hi-hat through bars 20-35, kick and crashes through bars 36-40, silence through bars 41-47 and kick and crashes through bars 48-55, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 20-35, 82-103 and 153-184 -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|2 fills to learn, played 5 times: bars 19, 218, 219, 224 and 225.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
262 bars, about 6:59 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 19, 218, 219, 224 and 225.