72 bars of 4/4 at a walking 92 BPM, 3:08 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-2, hi-hat through bars 3-18, ride through bars 19-34, toms through bars 35-36, hi-hat through bars 37-52 and ride through bars 53-68, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 3-17 and 37-51 -- 41.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3 4
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
RD |X---------------|----------------|
HH |----x---x---x---|x---x-----------|
SD |----x-------x---|----x--xx----xx-|
FT |----------------|----------xxx---|
BD |X-----x-x-----x-|x-------x-------|1 fill to learn, played 4 times: bars 69, 70, 71 and 72.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
72 bars, about 3:08 at the written tempo. The course breaks it into 14 exercises over 5 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 69, 70, 71 and 72.