217 bars of 4/4 at 133 BPM, about 6:32 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, kick and crashes through bars 7-16, hi-hat through bars 17-64, snare through bars 65-70, hi-hat through bars 71-72 and snare through bars 73-84, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 17-31, 49-63 and 65-71, and 10 more places -- 70.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
65
1e+a2e+a3e+a4e+a
CC |x---g---g---g---|
SD |--------x-------|
BD |x-----x-------x-|5 fills to learn, played 13 times: bars 32, 48, 64, 72, 80, 108 and 7 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
217 bars, about 6:32 at the written tempo. The course breaks it into 17 exercises over 4 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 32, 48, 64, 72, 80, 108 and 7 more.