68 bars of 4/4 at a walking 84 BPM, 3:14 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
55 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
silence through bars 1-4, hi-hat through bars 5-13, kick and crashes through bars 14-16, hi-hat through bars 17-55, ride through bars 56-65 and snare through bars 66-68.
The beat the song is built on is one bar, played through bars 8-13, 17-19 and 21, and 1 more place -- 39.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
8
1...............2...............3...............4...............
HH |x-------x-------x-------x-------x-------x-------x-------x-------|
SD |----------------r-------------------------------r---------------|
BD |x-------------------------------x-------------------------------|2 fills to learn, played 3 times: bars 26, 66 and 67.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 33 out of 100; the rest of the number is everything around it.
68 bars, about 3:14 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 26, 66 and 67.