146 bars of 4/4 at 119 BPM, about 4:40 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-43, ride through bars 44-46, hi-hat through bars 47-66, toms through bars 67-75, silence through bars 76-82 and hi-hat through bars 83-127, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-14 and 25-31, and 3 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 10
1e+a2e+a3e+a4e 1e+a2e+a3e+a4e+a
CC |x-------------|----------------|
HH |-ggg-xgggggg-x|gggg-xggggg-x---|
SD |----x-------x-|----x------x-gxx|
BD |x--x-x--x--x--|x--x--x---x-----|9 fills to learn, played 25 times: bars 8, 12, 15, 16, 24, 32 and 19 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
119 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
146 bars, about 4:40 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 25 times: bars 8, 12, 15, 16, 24, 32 and 19 more.