123 bars of 4/4 at 114 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-15, ride through bars 16-25, hi-hat through bars 26-38, ride through bars 39-49, hi-hat through bars 50-63 and ride through bars 64-72, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 39-41, 43-44 and 64-66, and 6 more places -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
39
1.....2.....3.....4.....
CC |x-----------------------|
RD |----x-x---x-x---x-x---x-|
SD |------x-----------x-----|
BD |x---x-----x-x---x-----x-|12 fills to learn, played 21 times: bars 15, 22, 23, 24, 25, 42 and 15 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
123 bars, about 4:06 at the written tempo. The course breaks it into 46 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 15, 22, 23, 24, 25, 42 and 15 more.