80 bars of 4/4 at a walking 109 BPM, 2:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bar 1, kick and crashes through bars 2-9, snare through bars 10-21, toms through bars 22-24, snare through bars 25-28 and ride through bars 29-31, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 35-37 and 39-41 -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35
1.......2.......3.......4.......
CC |----------------------------x---|
HH |----o-------o-------o-----------|
SD |------------x-----------x-x-----|
BD |X-------x-x-----X-----------X---|5 fills to learn, played 28 times: bars 10, 11, 12, 13, 14, 15 and 22 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
109 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
80 bars, about 2:56 at the written tempo. The course breaks it into 29 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 28 times: bars 10, 11, 12, 13, 14, 15 and 22 more.