97 bars of 4/4 at 140 BPM, about 2:46 of playing, on crash, ride, hi-hat, snare, high tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-4, hi-hat through bars 5-56, ride through bars 57-60, hi-hat through bars 61-81, silence through bars 82-88 and hi-hat through bars 89-92, and 1 more change after that.
The beat the song is built on is one bar, played through bars 5-11, 13-19 and 21-27, and 6 more places -- 48.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---xx--|3 fills to learn, played 7 times: bars 4, 32, 40, 57, 58, 59 and 1 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
97 bars, about 2:46 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 4, 32, 40, 57, 58, 59 and 1 more.