140 bars of 3/4 -- not four -- at 60 BPM, 8:44 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bar 1, hi-hat through bars 2-61, ride through bars 62-95, silence through bars 96-103, ride through bars 104-107 and hi-hat through bars 108-109, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 63-65, 67-69 and 71-73, and 4 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
63
1...............2...............3...............4...............5...............6...............
CC |x-----------------------------------------------------------------------------------------------|
RD |----------------x---------------x-------------------------------x---------------x---------------|
HH |------------------------------------------------o-----------------------------------------------|
SD |------------------------------------------------x-----------------------------------------------|
T1 |------------------------x---------------x-------------------------------------------------------|
T2 |------------------------------------------------------------------------x---------------x-------|
BD |x---------------x---------------x---------------x---------------x---------------x---------------|14 fills to learn, played 51 times: bars 1, 2, 3, 5, 9, 10 and 45 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
60 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
140 bars, about 8:44 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 51 times: bars 1, 2, 3, 5, 9, 10 and 45 more.