74 bars of 4/4 at a walking 77 BPM, 3:51 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-13, toms through bars 14-17, hi-hat through bars 18-25, toms through bars 26-32 and hi-hat through bars 33-36, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 18-20, and 2 more places -- 40.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |--------x---------------x-------|
BD |x-------------x-x---x-----------|4 fills to learn, played 5 times: bars 5, 17, 32, 36 and 74.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
74 bars, about 3:51 at the written tempo. The course breaks it into 16 exercises over 7 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 5, 17, 32, 36 and 74.