143 bars at 180 BPM -- fast, and 3:11 of it without a break -- on crash, hi-hat, snare and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-12, hi-hat through bars 13-22, kick and crashes through bars 23-40, hi-hat through bars 41-47 and kick and crashes through bars 48-52, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 13-14, 17-18 and 21-22, and 7 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--x-x-x-x-x-x-x-|
SD |----x-x-----x---|
BD |x---------x-----|2 fills to learn, played 13 times: bars 15, 16, 19, 20, 51, 66 and 7 more.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 48 out of 100; the rest of the number is everything around it.
143 bars, about 3:11 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 13 times: bars 15, 16, 19, 20, 51, 66 and 7 more.