132 bars of 4/4 at 120 BPM, about 4:24 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-132.
The beat the song is built on is one bar, played through bars 69-98 and 101-130 -- 47.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
70
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x--g-g--x---|
BD |x---------x-----|1 fill to learn, played 8 times: bars 19, 20, 35, 36, 99, 100 and 2 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
132 bars, about 4:24 at the written tempo. The course breaks it into 18 exercises over 7 sittings, about 22 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 8 times: bars 19, 20, 35, 36, 99, 100 and 2 more.