354 bars of 4/4 at 140 BPM, about 10:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
30 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-23, hi-hat through bars 24-39, snare through bars 40-42, hi-hat through bars 43-68, snare through bars 69-75 and hi-hat through bars 76-90, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 40, 42 and 144, and 7 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
161
1e+a2e+a3e+a4e+a
HH |o-------o-------|
SD |--------x-------|
BD |----x-----------|7 fills to learn, played 12 times: bars 38, 39, 74, 75, 83, 95 and 6 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
30 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
354 bars, about 10:07 at the written tempo. The course breaks it into 61 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 38, 39, 74, 75, 83, 95 and 6 more.