265 bars at 194 BPM -- fast, and 5:28 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-12, toms through bars 13-20, hi-hat through bars 21-36, ride through bars 37-43, toms through bars 44-60 and hi-hat through bars 61-76, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 14-19, 46-47 and 49-51, and 11 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14
1e+a2e+a3e+a4e+a
SD |----x-------x---|
FT |x---x---x---x---|
BD |x-x-x-x-x-x-x-x-|12 fills to learn, played 21 times: bars 20, 36, 44, 60, 76, 84 and 15 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
265 bars, about 5:28 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 20, 36, 44, 60, 76, 84 and 15 more.