164 bars of 4/4 at 140 BPM, about 4:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-15, toms through bars 16-22, hi-hat through bars 23-47, toms through bars 48-55, hi-hat through bars 56-57 and snare through bars 58-63, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 24-30, 32-46 and 72-78, and 8 more places -- 40.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |--x-x-x-x-x-x-x-|4 fills to learn, played 8 times: bars 23, 31, 55, 71, 79, 103 and 2 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
164 bars, about 4:40 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 23, 31, 55, 71, 79, 103 and 2 more.