168 bars of 4/4 at 124 BPM, about 5:25 of playing, on crash, snare, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, snare through bars 9-64, kick and crashes through bars 65-68, snare through bars 69-104, silence through bars 105-128 and snare through bars 129-168.
The beat the song is built on is one bar, played through bars 17-32, 49-64 and 77-96, and 1 more place -- 61.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
17
1e+a2e+a3e+a4e+a
CC |x---------------|
SD |----x-------x---|
BD |x--x------x-----|
HF |x--x----x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
168 bars, about 5:25 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 28 minutes each.
crash, snare, kick and hi-hat foot. Nothing in the part asks for anything else.