103 bars of 4/4 at a walking 88 BPM, 4:41 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-27, ride through bars 28-37, silence through bars 38-55, ride through bars 56-59 and snare through bars 60-62, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 55, 60-62 and 67, and 6 more places -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
55
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|3 fills to learn, played 4 times: bars 36, 69, 70 and 102.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
103 bars, about 4:41 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 36, 69, 70 and 102.