152 bars of 4/4 at 138 BPM, about 3:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 1-10, snare through bars 11-35, ride through bars 36-44, snare through bars 45-47, ride through bars 48-67 and snare through bars 68-83, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 12, 14 and 16, and 20 more places -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14
1e+a2e+a3e+a
SD |--------x---|
BD |x-x---x-x---|
HF |x---x---x---|9 fills to learn, played 16 times: bars 34, 35, 39, 43, 51, 82 and 10 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 8 out of 100; the rest of the number is everything around it.
152 bars, about 3:59 at the written tempo. The course breaks it into 45 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 34, 35, 39, 43, 51, 82 and 10 more.