78 bars of 4/4 at a walking 90 BPM, 3:29 of playing, on crash, ride, snare, mid tom, floor tom, kick and hi-hat foot.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, ride through bars 6-24, snare through bars 25-32, ride through bars 33-44, snare through bars 45-52 and ride through bars 53-78.
The beat the song is built on is one bar, played through bars 6-12, 14-16 and 18-20, and 6 more places -- 41.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1...........2...........3...........4...........
RD |------------------------------------------x-----|
SD |------------x--------x--------------x-----------|
BD |------x-----------------------x-----------------|
HF |x--------------x-x-x-------x--------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
78 bars, about 3:29 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 25 minutes each.
crash, ride, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.