81 bars of 4/4 at a walking 102 BPM, 3:09 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-27, hi-hat through bars 28-32, silence through bars 33-37 and hi-hat through bars 38-81.
The beat the song is built on is one bar, played through bars 28-31 and 49-52 -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28
1e+a2e+a3e+a4e+a
HH |--xx--x---xx--x-|
SD |--xx--x---xx--x-|
BD |--xx--x---xx--x-|2 fills to learn, played 4 times: bars 62, 66, 79 and 80.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 41 out of 100; the rest of the number is everything around it.
81 bars, about 3:09 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 62, 66, 79 and 80.