183 bars of 4/4 at 136 BPM, about 5:23 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-72, snare through bars 73-80, hi-hat through bars 81-100, ride through bars 101-105 and hi-hat through bars 106-109, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6-19, 26-28 and 30, and 7 more places -- 33.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-o-----|
SD |----x-------xxxx|
BD |x-x---x-x-x-----|4 fills to learn, played 11 times: bars 20, 56, 71, 72, 80, 99 and 5 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
183 bars, about 5:23 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 20, 56, 71, 72, 80, 99 and 5 more.