217 bars of 4/4 at 120 BPM, about 7:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-2, hi-hat through bars 3-11, snare through bars 12-70, ride through bars 71-74, snare through bars 75-77 and hi-hat through bars 78-105, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 21-23, 30-35 and 37-42, and 23 more places -- 40.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----X-------X---|
BD |x-x---x-x-x---x-|12 fills to learn, played 31 times: bars 28, 29, 49, 55, 59, 67 and 25 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
217 bars, about 7:14 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 28, 29, 49, 55, 59, 67 and 25 more.