149 bars of 4/4 at a walking 83 BPM, 7:11 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
hi-hat through bars 1-23, snare through bars 24-99 and hi-hat through bars 100-149.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 25-31, and 7 more places -- 47% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x---xxxx--x----x|
HF |xxxxxxxxxxxxxxxx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 33 out of 100; the rest of the number is everything around it.
149 bars, about 7:11 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.