274 bars of 4/4 at 110 BPM, about 9:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, ride through bars 6-11, snare through bars 12-13, hi-hat through bars 14-30, silence through bars 31-55 and ride through bars 56-61, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 66-80, 120-124 and 126, and 7 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
120
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------x-------|
BD |x---------------|16 fills to learn, played 40 times: bars 5, 9, 11, 12, 13, 25 and 34 more.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
274 bars, about 9:58 at the written tempo. The course breaks it into 75 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 40 times: bars 5, 9, 11, 12, 13, 25 and 34 more.