183 bars at 206 BPM -- fast, and 3:25 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-12, hi-hat through bars 13-22, snare through bars 23-52, hi-hat through bars 53-62 and snare through bars 63-68, and 6 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 37-42, 45-50 and 77-82, and 3 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37 38
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |----x-------x---|----x-------x---|
BD |x-----x---x-----|--xx--xxx-x---x-|12 fills to learn, played 24 times: bars 6, 8, 20, 24, 28, 32 and 18 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
206 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
183 bars, about 3:25 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 6, 8, 20, 24, 28, 32 and 18 more.