116 bars of 4/4 at 140 BPM, about 3:19 of playing, on crash, hi-hat, snare, mid tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-21, silence through bars 22-28, hi-hat through bars 29-50, silence through bars 51-52, hi-hat through bars 53-80 and silence through bars 81-82, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 6-10, 29-40 and 56-58, and 3 more places -- 45% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x--x-x--x---|
BD |x---------x--x--|4 fills to learn, played 5 times: bars 60, 83, 84, 92 and 108.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
116 bars, about 3:19 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 5 times: bars 60, 83, 84, 92 and 108.