117 bars of 4/4 at a walking 91 BPM, 4:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
70 out of 100: demanding, mostly on how fine the subdivision is.
ride through bars 1-9, hi-hat through bars 10-17, ride through bars 18-22, hi-hat through bars 23-43, ride through bars 44-48 and hi-hat through bars 49-96, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 71-85, 87-90 and 92-95 -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
71 72
1...............2...............3...............4............... 1...............2...............3...............4...............
CC |x---------------x-----------------------------------------------|----------------------------------------------------------------|
HH |--------------------------------o---------------o---------------|o---------------o---------------o---------------o---------------|
SD |--------------------------------x---------------x---------------|--------------------------------x-------------------------------|
T2 |----------------------------------------------------------------|------------------------------------------------x---------------|
FT |----------------------------------------------------------------|--------------------------------------------------------x-------|
BD |x---------------x---------------x-------x-------x-------x-------|x-------------------------------x-------x-------x-------x-------|7 fills to learn, played 19 times: bars 9, 19, 21, 22, 26, 27 and 13 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
91 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 49 out of 100; the rest of the number is everything around it.
117 bars, about 4:55 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 9, 19, 21, 22, 26, 27 and 13 more.