264 bars at 195 BPM -- fast, and 5:23 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on how many notes a second it asks for.
toms through bars 1-20, hi-hat through bars 21-24, silence through bars 25-30, hi-hat through bars 31-34, snare through bars 35-38 and ride through bars 39-46, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 39-45, 73-79 and 157-164, and 4 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
40
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|18 fills to learn, played 35 times: bars 46, 50, 54, 58, 80, 84 and 29 more.
It cuts the song into 81 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
264 bars, about 5:23 at the written tempo. The course breaks it into 81 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 35 times: bars 46, 50, 54, 58, 80, 84 and 29 more.