127 bars at 165 BPM -- fast, and 3:05 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-26, ride through bars 27-32, hi-hat through bars 33-34, ride through bars 35-40, hi-hat through bars 41-66 and ride through bars 67-72, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 3-8, 15-16 and 23-24, and 6 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
105
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-----x---x---x-|9 fills to learn, played 19 times: bars 10, 14, 18, 22, 26, 42 and 13 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
127 bars, about 3:05 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 10, 14, 18, 22, 26, 42 and 13 more.