176 bars at 174 BPM -- fast, and 4:03 of it without a break -- on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-48, snare through bars 49-56, hi-hat through bars 57-80, snare through bars 81-97 and silence through bars 98-112, and 7 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 9-23, 25-38 and 57-78 -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x-x-x-x-x-xx|x-x-x-x-x-x-x-o-|
SD |----x-------x---|----x-------x---|
BD |x---------x-----|x---------x-----|10 fills to learn, played 27 times: bars 24, 39, 40, 44, 52, 56 and 21 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
176 bars, about 4:03 at the written tempo. The course breaks it into 27 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 27 times: bars 24, 39, 40, 44, 52, 56 and 21 more.