216 bars at 210 BPM -- fast, and 4:07 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bar 1, kick and crashes through bars 2-7, toms through bars 8-9, snare through bars 10-18, toms through bars 19-23 and ride through bars 24-27, and 32 more changes after that.
The beat the song is built on is one bar, played through bars 57-62, 65-72 and 124-129, and 1 more place -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
57
1e+a2e+a3e+a
CC |X-----------|
SD |------x---x-|
BD |xxx-x-xxx-x-|12 fills to learn, played 39 times: bars 8, 9, 10, 11, 12, 16 and 33 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
216 bars, about 4:07 at the written tempo. The course breaks it into 49 exercises over 12 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 39 times: bars 8, 9, 10, 11, 12, 16 and 33 more.