114 bars of 4/4 at a walking 100 BPM, 4:32 of playing, on hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bar 1, hi-hat through bars 2-4, snare through bars 5-8, hi-hat through bars 9-32, snare through bars 33-36 and hi-hat through bars 37-114.
The beat the song is built on is one bar, played through bars 2-4, 10-12 and 29-30, and 30 more places -- 45.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
53
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------x-------|
BD |x-----x---------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
114 bars, about 4:32 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.