237 bars of 4/4 at 130 BPM, about 7:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
81 out of 100. Hard, and what makes it hard is how many notes a second it asks for.
silence through bars 1-16, ride through bars 17-20, hi-hat through bars 21-24, ride through bars 25-28, hi-hat through bars 29-36 and snare through bars 37-44, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 37, 77-79 and 81-82, and 9 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |----------------x---------------|
BD |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx|24 fills to learn, played 81 times: bars 18, 19, 20, 21, 22, 26 and 75 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
237 bars, about 7:17 at the written tempo. The course breaks it into 56 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 81 times: bars 18, 19, 20, 21, 22, 26 and 75 more.