109 bars of 4/4 at 120 BPM, about 3:28 of playing, on crash, hi-hat, snare and kick.
58 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-7, snare through bars 8-37, hi-hat through bars 38-59, snare through bars 60-77, hi-hat through bars 78-103 and snare through bars 104-109.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 17 more places -- 25.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9
1.......2.......3.......4.......
SD |xxxxxxxxx-x-x-x-xxxxxxxxxxxxxxxx|1 fill to learn, played 2 times: bars 35 and 75.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 41 out of 100; the rest of the number is everything around it.
109 bars, about 3:28 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 35 and 75.