116 bars of 4/4 at 120 BPM, about 3:52 of playing, on hi-hat, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-5, kick and crashes through bars 6-10, hi-hat through bars 11-74, kick and crashes through bars 75-90, snare through bars 91-100 and hi-hat through bars 101-116.
The beat the song is built on is one bar, played through bars 31-74 and 101-116 -- 51.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
41
1.....2.....3.....4.....
HH |x--x--x--x--x--x--x--x--|
SD |------x-----------x-----|
BD |x--------x--x--------x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
116 bars, about 3:52 at the written tempo. The course breaks it into 17 exercises over 4 sittings, about 28 minutes each.
hi-hat, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.