165 bars at 170 BPM -- fast, and 3:46 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-36, hi-hat through bars 37-48, snare through bars 49-57, hi-hat through bars 58-65, snare through bars 66-82 and hi-hat through bars 83-90, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 96-97, 100-101 and 104-105, and 7 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
96
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |----xxxx----x---|6 fills to learn, played 18 times: bars 36, 56, 57, 58, 59, 60 and 12 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
165 bars, about 3:46 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 18 times: bars 36, 56, 57, 58, 59, 60 and 12 more.