127 bars of 4/4 at 130 BPM, about 3:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, snare through bars 13-19, toms through bars 20-37, snare through bars 38-49, kick and crashes through bars 50-54 and hi-hat through bars 55-63, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 13-19, 38-44 and 46-49, and 6 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-----x---x-|8 fills to learn, played 25 times: bars 20, 28, 30, 31, 32, 34 and 19 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
127 bars, about 3:54 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 25 times: bars 20, 28, 30, 31, 32, 34 and 19 more.